The New York Times Style Magazine started publishing in 2004. This style supplement is edited by Deborah Needleman and appears 14 times a year. In 2009, it launched a Qatari edition. Poet Laureate Natasha Trethewey selects and introduces a poem each week. This is a good place to learn about the work of contemporary American poets. There is also a section for Licensed editions.
Text typeface design
The new NYT Style Magazine text typeface has been designed to fit a more compact format. The font is close to critical print size, but some readers may find it too small. For this reason, the magazine may be best served with slightly larger letters. This change in NYT Magazine typeface is likely to result in a more appealing design and feel. However, this decision is also not without drawbacks.
Critical print size
The NYT Style Magazine follows a rounded x-height of 1.45 millimeters for most text. The letters in this publication are slightly bigger than the average, and the gray dither may contribute to the letter’s appearance. It should also be noted that the print size of this magazine falls below the critical print size for newspaper articles. This is despite the fact that it has a readership of over 2.5 million.
Licensed editions of T
The New York Times Style Magazine is a perfect-bound glossy magazine that covers design, beauty, and lifestyle issues. The magazine is distributed with the Sunday edition of The New York Times. It was launched in August 2004 and is the only American publication to specialize in luxury lifestyle and fashion. It is published 11 times a year and is available in eleven countries. The New York Times has licensed its brand to several different publishers worldwide.
Ochs’s legacy
Arthur Ochs became the publisher of the New York Times in 1911 and continued to serve as its publisher until his death in 1962. His sons followed in his footsteps. Today, his son Arthur Gregg Sulzberger is the publisher of the newspaper, which is governed by an unusual family trust. The succession process for the Times is complicated, but Ochs’s legacy will live on in the Style Magazine.
Carrie Mae Weems profile
Carrie Mae Weems is a photographer who has become increasingly obsessed with gender, class, and history. Her work has often featured herself as the subject but recently she has taken a backseat to the camera and has begun to act as a guide and stand-in for the viewer. She has photographed herself in the Louvre and other high art venues. She is a member of Light Work, a non-profit organization that aims to support artists in a variety of fields.
